How to give back to the community

We ought to acknowledge how powerful photography can be. It can move people in different ways. Like the words of a poem or a song, images can have a great impact on people. Indeed, photographers are a talented lot who have a great deal to offer.

Even more, just as photography can be a tool for generating earnings, it can also be an instrument for giving back to the community. Photographers are in a unique position to make a difference in other people’s lives.

Christina Dickson lists five ways to reach the community. Christina is a gifted wedding photographer who takes time out of her busy schedule to inspire people in her own personal way. She shares some advice on how we can inspire people in our own personal way too. Her five suggested ways to reach the community are:

1. Host an art fundraiser

Sponsor an art fundraiser by bringing together artists who may be willing to donate a few pieces to a selected not for profit organisation.

2. Donate a family portrait session

Identify a deserving family who may appreciate a free photography session and complimentary portrait from you.

3. Volunteer to shoot a holiday program

Set aside around four hours of your time to shoot and edit photographs for a holiday program for free.

4. Write a story

Choose a worthy event, interview people about it and create a photo story to inspire others.

5. Hold a workshop

Be an educator. Teach those in your community who might be interested to learn a few pointers from you on photography.

These are Christina’s five suggested ways. Perhaps there are quite a few other ways that could be added to Christina’s list. If it is not too much of a bother, we would like to trouble you with just two more ideas of our own that we might add to Christina’s list of ways:

6. Promote a not for profit organisation

Offer your services for free to a not for profit organisation looking to promote itself or one of its activities.

7. Join a photography contest

We have posted quite a bit of information about ongoing photography competitions on our website. Most of them have worthy causes to which part of the proceeds will go. Joining any one of these competitions will contribute to a worthy cause and in the process give back to the community.

We wonder if it is our place to say what reasons exist why we might want to consider giving back to the community. There must be something about the way we are all built. In our journey in this life, we are all still trying to find ourselves. Strangely enough, it seems to be in losing ourselves in giving that we get to find who and what we truly are and in the process locate our way back to from where it is we all came.

Steve McCurry exhibition opens in Malaysia

Iconic photographer Steve McCurry’s exhibition “A Common Faith: Steve McCurry’s Travels through the Muslim World” opened in Malaysia on January 7 in association with Epson. The exhibition running until April 8 is being hosted at the Islamic Arts Museum in Kuala Lumpur.

The 80 large format images document the more candid, every day images of Islamic believers such as a foodstall holder reading the Qur’an and a brickmaker at prayer during a short break from production. McCurry has always been interested in people and the images here are designed to show Muslim people as individuals going about their lives.

On January 7 the public was treated to the Exhibition Launch and Public Talk with McCurry and on January 8 he held a Photographic Workshop with 50 students imparting some of the tips he’s learned in the past 30 years.

Workshops with Steve McCurry

Steve McCurry is one of the world’s most iconic photographers and this May he is offering budding photographers the chance to learn something from the master himself. A limited number of participants will spend time with McCurry learning to take magazine quality images and observe him at work.

The 2010 Weekend Workshops with Steve McCurry will take place in May, and registration for the May 27-30 workshop is now open. On-assignment shoots, discussions and workshops will be held with just six other photographers.

For more information on the Workshops see Steve McCurry’s website or click here to book.

McCurry is perhaps most famous for his image of an Afghan girl (pictured below) that featured in the June 1985 issue of National Geographic Magazine. He has since published a number of books with Phaidon Press, calendars with Amnesty International and has been a member of Magnum Photos since 1986.

Amnesty International 2010 Calendar

If you haven’t purchased a calendar in 2010 yet, consider Steve McCurry’s latest Amnesty International offering. The world renowned photojournalist has put together a moving collection of images containing intimate portraits of Tibetan women, Indian women huddling from a desert dust storm and young men at the Niger marriage festival.

The calendar contains 12 images and large spaces for writing in appointments.  Sales of the calendar benefit Amnesty International programs.

Amnesty International campaigns for internationally recognized human rights and has more than 2.2 million members in 150 countries.

Steve McCurry is one of the world’s most recognized photographs with classic reportage of major conflicts and human struggles. He has worked for Magnum Photos since 1986.

Rock and Roll: an exhibition of Music Photography by Stephen Booth

For a fantastic mosh pit view of some of Brisbane’s most exciting live shows, music and concerts head to the Brisbane Powerhouse in March. Booth’s images of punk rockers, U2s extravagant performances and grass roots music will take you on a musical journey through the last 10 years of Brisbane’s growing music scene.

Booth has been to Splendour in the Grass nine times, ten Big Day Out Festivals, five Livid festivals and shoots regularly for Jmag, Timeoff and Rolling Stone Australia.

If you’ve been to any of the concerts yourself the shots may invoke memories of music days past. Head to the Powerhouse from Tuesday March 2 to Monday April 10. Entry is free.

Stephen Booth’s Rock n Roll Eyecandy

Stephen Booth is an acclaimed music photographer based in Brisbane who has been documenting the music scene in the Queensland capital for the last 10 years.

Booth has been at all the major festivals in this part of the country photographing a swinging Nick Cave in full action mode (see picture below from January 2009), Moby giving the peace sign (Sunset Sounds 2010), crowds hamming it up, punk rockers in carparks, drummers and guitarists moving to the beat and more.

Booth’s images capture the intensity of the performance, the energy of the crowd and something of the character of the events he is covering which could be anything from a backyard gig to a major festival. With credits that include bands and performers such as Powderfinger, The Go-Betweens, Megadeth, U2, Jarvis Cocker and Robert Forster; magazine shoots for Timeoff and Rolling Stone magazines and clients like EMI, Sony and Capitol Records; Booth has made an real impact on music photography.

His favourite 50 images from a collection of more than 30,000 will be on show at the Brisbane Powerhouse (Tuesday March 2 – Monday April 5). Otherwise keep an eye out in the photographer’s pit for Booth at the next big Brisbane event.

How to become a photojournalist without passing go: Tim Page

If you’re seeking motivation or know how about becoming a photojournalist, Tim Page’s story may just inspire you.

The award winning, British born Page has covered major conflicts across the globe, had a character based on him in Coppola’s movie Apocalypse Now, has written at least nine books, has photographs in places like The Smithsonian and The Imperial War Museum and won awards such as the Robert Capa and American Society of Media Photographers.

So even if you haven’t heard of him, you’ve probably seen his images. So how did it all begin?

Page, 65 years, began life with itchy feet, cycling all the way around Scandinavia when he was just 14 years. At 17 he left for Amsterdam where he worked in a chewing gum factory, the Heinken brewery and even as a hash smuggler. But he soon split from there and drove a Volkswagon combi across to Asia until it blew up in India in 1962. He then found himself working in Laos by 1963, living with a friend who had a string for UPI. When the friend left he gave Page his string and the 18 year old found himself riding the streets on a motorcycle taking pictures during an attempted coup.

He filed the images by cycling to the river at Nong Khai and canoeing across the border to a US air force base in Thailand. For four days Page provided exclusive coverage – a black and white photo with a blown up airstrip is the first picture he ever sold.

When the coup finished the UPI bureau chief from Saigon arrived and offered him a job. And without further training he was suddenly launched into the Vietnam war. A few days later he was in Saigon and told “don’t pass go, don’t look back, you are now a snapper”.

“It wasn’t divine intervention, just things clicked. You don’t question why they click. I can’t explain it. I was in the wrong place at the right time or right place at the wrong time. I suppose it’s learning how to use your luck.”

Page (above) during an interview on Talking Heads.

And luck he’s had, being wounded four times and even pronounced DOA during one altercation. He covered the Vietnam War for five years and worked for Time-Life, UPI, Paris Match and Associated Press. He covered the Six Day War in the Middle East in 1967, conflicts in East Timor, Afghanistan and the Solomon Islands to name just a few.

Part of his success probably comes down to what he calls an addiction or obsession both with getting the ideal photograph, travelling and telling the truth of what’s going on. He told Talking Heads in an interview “once you get on that edge and you start to grip on that edge, you’re so caught up in the event that you forget about the danger of it.

“You’re somehow committed. You’re so committed and yet the end result is, you’re not empty-handed. You have these images you’ve shot, these frames you’ve made. With a bit of luck, you’ve got a spread in a magazine, which gets you a beer in the odd pub.”

But things have clicked for Page to earn him more than just a cold beer; he is now a lecturer at Griffith University in Brisbane, Australia and uses his own skills to train budding photographers in war torn places like Afghanistan and Vietnam.

VIEW: Behind the scenes

We have finally been able to record our first of many VIEW (behind the scenes) videos. After many attempts at finding the right time, location and client that would allow us to shoot a video of us just doing our thing.  Many thanks also to the great folks at Luxe Studios

To give you a bit of an idea, we arrived on set a little before 8am. It was a full day in studio with a new client to shoot their feature story and front cover. I’ll be posting up the final product once they have signed off and have gone to print.

It was by far one of our best days on a set like this. The guys that we worked with were awesome to say the least.


http://www.vimeo.com/9299903


And for all the techo guys people that ask me what we used, here is a more extensive breakdown of all the gear.

Canon 1Ds Mk3

Canon 40D

Canon 70-200mm f2.8

Canon 28-70mm f2.8

Canon 50mm f1.4

Profoto 8a 2400 x2

Profoto Pro-head x2

Profoto RingFlash

Profoto softboxes x3

Apple Macbook Pro

Adobe Lightroom 2.3

Good war photography is anti-war: Tim Page

“Ultimately any good war photography becomes anti-war,” says English war photojournalist Tim Page who has covered world events for the last four decades. “Only from a distance, or through the sanitizing filter of television, does war take on the majesty of ballet; up close it hurts and smells of death. War is against all things human – ask anyone who’s ever been there.” (Interview with Capture, 2005).

And been there he has, in Vietnam, Kossovo, Iraq, Sri Lanka, Nicaragua and Lebanon. He’s also been wounded four times by a landmine, shrapnel and even friendly fire.


Page at the Requiem exhibition at the War Remnants Museum, Saigon by Peter Stuckings

Page’s most recent journey took him to Afghanistan to train promising young students in photojournalism. But he probably became best known for his coverage of the Vietnam War, work that has become iconic and featured in books such as “Mindful Moment”, “Page after Page” and “Nam”.

His colourful personality and ability to be on the cutting edge helped shape his career. And his photographs tell this story with dramatic images of children affected by Agent Orange and those injured by landmines particularly in Cambodia and Vietnam. Tim has now turned his camera to documenting the story of the innocent victims of war. He has also documented the world’s natural peace and beauty in photos of a woman giving birth and a child in peaceful meditation.


Victims of Agent Orange (left) by Page and Page in Afghanistan (right) by Fardin Waezi (UNAMA).

It’s his search for a middle path in life after seeing so much conflict that now draws him forward.

“We can always talk, we can always have dialogue…” he said to Capture. “We don’t need to go into conflict. There is a possibility always for negotiation.”

A photographic insight into the Asia-Pacific region

Get along to the Gallery of Modern Art (GOMA) in Brisbane for an insight into the diverse nature of life in Asia, the Pacific and Australia thanks to the selection of a number of photographers in the current exhibition.

The 6th Asia Pacific Triennial of Contemporary Art (APT6) will run in Brisbane until April 5 and contains the work of some 100 artists from 25 nations.

Amongst these are Thai, Chinese, Taiwanese, Iranian and Cambodian photographers exhibiting their work of various urban developments, culture and lifestyle, tourism and everyday events in places such as the Mekong, the Thai capital and China.

They include self-taught, Phnom Penh based photographer Vandy Rattana whose images document the changes taking place in Cambodia. The APT6 features his series “Fire of the Year” showing stilt houses on fire that were built over plastic waste (image below).

Another photographer featured is Chinese artist Chen Quilin who has documented the livelihood of people living along the Yangtze River and how they have been affected by the Three Gorges Dam hydro-electric project (image below).

Shirana Shabazi from Iran uses photographic elements along with painting, murals and weaving to produce still life images to remind people life is short and continually changing.

To see more of the images at the APT6 go to GOMA, Stanley Place, South Bank. Opening hours are Mon-Fri 10am-5pm, Sat&Sun 9am-5pm. Entry to the gallery is free.