Fast storage, more backups and why you should have them

I am so paranoid about loss of data. And when you have more than 700GB of images in 1 Lightroom catalogue then it becomes obvious that you must keep things running.

Not to set my requirments bar too high, I set to find what was avalaible to me. So I put my IT thinking cap on and thought about several possibilities that could work for me. This is what I prioritised my requirements;

Speed - I have to be able to get access to my images in a flash

Localised restores – something that is close by so I can get to it quickly

Off-site – this is paramount to a full disaster recovery solution

Up-to-date - keep my portable laptop sync’ed with all the business and ensure all documents and contracts are updated

Affordable – of course it has to be in the reach of our business.


I never wanted to rely on one set of systems, drives or process to get my images back. I’m in the business of images. My business works with some of the top athletes and identities in their chosen field. I could never rely on one single hard drive for this. Something I have heard some many professional photographers say to me before.

I have detailed in a diagram below (click to enlarge) how this looks.

1. 24″ iMac

2. Lexar UDMA CF Card Reader

3. External case with 2 x 1TB / FW 800 running RAID0

4. Drobo connected to a DroboShare

Other items include; Backblaze, ChronoSync, Dropbox



Click to enlarge


STAGE 1

The first part of my storage is using a large external Firewire 800 connected RAID0 drive set (3). This offers me the best performance when dealing with large files and indexes. It’s lightning quick to read and write from. Some may say this is overkill, but I don’t think you could ever have enough speed when it comes to this.

STAGE 2

The next part is to have my Firewire connected drives backed up to somewhere locally. This is where the Drobo (4) comes in handy. The sole purpose of my Drobo is for local backups. It is a massive pool of redundant disk. Given the landscape of storage these days and the available sizes are ever increasing I just went for the “in-the-middle” size, a 1TB drive. So the Drobo is populated with 4x 1TB. I also added on the DroboShare which gives it the Gigabit interface, therefore it sits on the network and it can provide local storage for all the other machines in the office. I was originally using it for the first stage, however I found it to be fairly slow in its read and write performance. Its job now of backup is perfect.

The missing link for actualIy controlling the scheduling of the backups is ChronoSync (marked with the clock in the above picture). It  runs my backup schedule every few days. Here are my settings that I use for ChronoSync.



STAGE 3

The final step is to have all the important data off-site. This is where we use Backblaze. Some people have freaked out when I tell them that I use an in-the-cloud service for my backup. But really, this is a fantastic service that would save me huge amounts of cost. Think about it. The old way was to use tapes or CD/DVDs and then send them away. Have you ever tried and checked to see if you can restore? Most people don’t and by the time you are trying to restore you critical information it’s probably not going to work.


Final thoughts…

As you can see, we have many steps that we have automated to make things really simple and easy. And to make it time efficient, we’ve scheduled all these jobs to happen overnight – starting at 1am usually.

Many years ago I moved away from proprietary archiving solutions as you would always find yourself not being able to find the correct version of the software to read the archived files.

I’ve always said that you can never have enough backups. But really, if none of them work then what was the point in the first place. Think wisely about the solutions you use and always ask, what if.

Royal Photographic Society

Founded in 1853, the Royal Photographic Society has a distinguished history promoting the art and science of photography. It traces its origins to an initiative to form a photographic society in London in anticipation of an exhibit in the gallery of the Society of Arts. The Royal Photographic Society has since grown in size and in importance. It is now a global organization on a mission to advance the cause of photography. It has a Royal Charter that was granted in July 2004.

Membership in the Royal Photographic Society is open to everyone all over the world. Its current members range from seasoned professionals to students. The three levels of membership depending on knowledge and abilities are Licentiateship, Associateship and Fellowship. Through an online community and regional and special Interest group events, members are able to share their skills with each other.

In Australia, the Royal Photographic Society has an active Victorian Chapter in Melbourne that meets monthly. The two special interest groups of the Victorian Chapter are the Photographic History Group and the Digital Working Group that similarly hold regular meetings. The Hon. Secretary of the Victorian Chapter is Elain Herbert whose email address is eherbert@alphalink.com.au.



RPS Logo

Taking digital photography to new heights

The age of digital photography is upon us. Whatever critics might have to say about digital photography, it no longer seems possible to turn back the hands of time. Rob Sheppard and Bob Martin point out the benefits of digital photography as they give these digital photography tips:

1. Shoot it right from the start. Do not rely on the help that you might be able to get from a computer later. The photography starts from the very first moment when you take the shot.

2. The basics: Avoid the shake. Keep it steady.

3. Exposure: Use the simple exposure override facility that enables you to overexpose or underexpose your picture. If the subject is predominantly dark, try to overexpose your picture. If the subject is predominantly light, try to underexpose your picture. Take test pictures and use your histogram to adjust your exposure compensation. Keep in mind that the LCD screen is not always spot on. Know that you can just delete bad pictures later.

Orchid

Photograph by Robert Clark from National Geographic.

4. Composition: Picture the LCD screen divided into a grid. Keep your subject toward the centre.

5. Zoom. Get daring. Let the subject fill the frame.

6. Change the point of view. Take the picture from an unusual angle.

national geographic

Photograph by Rob Sheppard from National Geographic.

2010 Pulitzer Prize Journalism Entry Deadline approaches

The esteemed Pulitzer Prize for newspaper journalism, literature and musical composition are awarded semi annually and this year the deadline for submitting entries to the journalism competition is February 1, 2010.

If you have had any journalism published in an eligible newspaper or news site in 2009 you can submit for the US$10,000 prize.

The 2009 Breaking News Photography award went to Patrick Farrell of the Miami Herald for his coverage of the humanitarian disaster in Haiti after a hurricane and lethal storms struck the Caribbean nation.

The Feature Photography award went to Damon Winter of The New York Times for his coverage of Barack Obama’s presidential campaign.

Deep Indonesia 2010 Photography Competition

DiverPhotoGuide.com and Wetpixel.com in association with Deep Indonesia have organized the 4TH ANNUAL DEEP INDONESIA INTERNATIONAL UNDERWATER PHOTO COMPETITION with over 35,000 dollars worth of prizes that include photography equipment, diving gear, and premium dive travel packages. In March 2010, a Deep Indonesia Expo will take place in Jakarta, Indonesia, where the winning photographs will be exhibited.

Underwater photographers will compete in different categories including a category on conservation and marine environment. Those interested must register at the contest website and upload entries on or before 15 January 2010. An entry fee of 10 dollars per image is a requisite to join. The contest rules give further details.


last year

One of last year’s winning photographs by Gabriele Donati.

Best Aussie pictures

Australian Explorer is seeking to promote Australian tourism by running a series of photographic competitions. They welcome fantastic images of Australian animals, landscapes or towns and award prizes every six months. Competitions run for six months and are followed by a voting period of three months. The current voting period ends on January 31. Winners receive an experience up to a value of $500 as featured in the Experience Section. These include hot air ballooning, romantic getaway packages, sailing charters and motorbike rentals.

The previous winner from the competition was Birrurung Marr of Melbourne.

2010 media death toll begins in Afghanistan

The death of British journalist Rupert Hamer and the wounding of photographer Philip Coburn in Afghanistan this week (January 10) are amongst the first reported journalist casualities of 2010. Hamer, 39, is also the first British journalist killed in the conflict.

The pair were involved in an explosion outside a village in southern Afghanistan. The blast also killed a U.S. Marine.

The media casualities in 2009 were amongst the worst on record. The International News Safety Institute recorded 132 journalists and support staff died in 35 countries covering news in 2009. This is despite the UN Security Council Resolution 1738 that demanded greater safety for journalists in conflict areas.

There are memorials dedicated to media around the world. One is the Breathing Sculpture (see image below) on the new wing of Broadcasting House at the BBC.

Photography that tugs at your heart

Photography can be a powerful tool for changing the world. David Duchemin knows this. His photographs tell a moving story of the human condition. His images remind us of how we are all different and yet, at the same time, we are all interconnected as members of the same human family.

David’s photography succeeds in making a case for that infinite worth we all possess, one demanding recognition and respect. Wherever we are, whatever we do and however we look like, we are just as human and we enjoy in the same measure our fundamental entitlements as human beings.

david

From David’s iphone.

Poverty can be totally abusive and dehumanizing. Words on a page or from a speech give us a concept of poverty. But photographs give poverty a face. The faces of the children of the world are a reason for hope in the midst of the harsh reality of poverty.

children

From David’s iphone.

David gives a voice to the disadvantaged poor in our midst. He does it not with words, but with his photography. He sets our hearts afire. Our global brothers and sisters are calling out to us, so David’s images seem to be reminding us. Who are we to pretend not to hear?

Living Australian 2010 Online Photography Campaign

In anticipation of Australia Day 2010, the Australia Day Council of New South Wales has organized a photography competition intended to capture what it means to be a living Australian. Entitled ‘Living Australian 2010 Online Photography Campaign,’ the competition is open to all  Australian citizens who are in Australia or abroad and foreigners who have long term visas in Australia like residents, workers and students. The competition has four categories: My Landscape, My Life, My Sport and My Heroes.

Both professional and amateur photographers can join. Cash and non-cash prizes are up for grabs.The deadline for uploading entries is 7 January 2010. The mechanics provide other details. Those intending to join must register at the contest website.

kangaroo

Entries like this one are published in the online gallery.

David Doubilet

David Doubilet is highly regarded in the field of underwater photography. The Sara Prize, the Explorers Club Lowell Thomas Award and the Lennart Nilsson Award in Photography are just some coveted awards that David has tucked under his belt. At the same time, David is a member of the Royal Photographic Society and International Scuba Diving Hall of Fame. Presently, David is a contributing photographer in-residence of National Geographic.

His underwater photography has taken him to water systems of all types in different parts of the world. He is as much at home in the cold waters of New Zealand, Tasmania, Scotland, Japan, Northwest Atlantic and Northeast Pacific as in the freshwater systems of the Okavango Delta in Botswana and the St. Lawrence River. David’s choice of residence is equally telling of his nature and inclinations. Interestingly, David has taken residence in the river town of Clayton, New York and in the coastal town of DeKelders, South Africa.

It comes as no surprise that Beneath the Sea honours David by naming their highest award in their Beneath the Sea Imaging Competition after him. Indeed, if underwater photographers had a hero, that hero’s name could very well be David Doubilet.

National Geographic

From David Doubilet.